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9th Day of Craft Mela

Chandigarh, 30 January, 2016: On the penultimate day of the Chandigarh National Crafts Mela, a joint venture of Chandigarh Administration and the North Zone Cultural Centre (NZCC), at Kalagram here, throngs of incurable Mela buffs continue to drop in the Mela venue to enjoy the multi hues of North and North East states, offering a bonanza of art and crafts activity. Today being a holiday in offices, people started pouring in since morning and the crowd had touched the 20 thousands mark by the evening. The bright sunny day today offered respite from the foggy weather conditions prevailing during the past days, which failed to dampen the soaring spirits of Mela enthusiasts.  
                             Today’s stage performances featured folk artistes from various parts of the country, who presented their folk dances and songs. Prominent among them were ‘Guti Pua’, a liturgical dance sequence from Uddisha, followed by ‘Dhamali’ a folk dance of Jammu and Kashmir (J&K), an invocation to appease the reigning deity, ‘Banna’’, a folk dance of Haryana, ‘Gaddi’ dance of Himachal Pradesh. Folk dances of Punjab and Nagaland were also presented on the occasion. All the performances received a huge round of applause from the audience.
                             The 9th day of the ongoing Chandigarh Crafts today turned out to be a huge crowd puller with the Mela buffs thronging the venue from far and near to be part of the colourful cultural extravaganza of sorts. This year’s underlying theme - ‘North to North East’ (Kashmir to Kohima) - was well lived up seen the response from North and North East states of the country. The peppy beats of ‘Dhol’ and ‘Nagadas’, accompanied by the haunting sounds of ‘Algoza’  and ‘Bansuri’ (Flute) and other musical instruments rant the air, which created a kind of musical miasma.
                             Dressed in their traditional ensembles, artistes from Rajasthan performed Kaachi-Ghori, a popular folk dance of the region. Folk dances of Punjab, Haryana and Karnataka and other regions were also performed during the day. Dare devil acrobatic acts by ‘Baazigars’ of Punjab and ‘Been-jogi’ artistes, turned out to be a virtual show stealer. Young and the old were seen posing for photographs and selfies with the ‘Bahurupiyas’ posing as Lord ‘Shiva’, ‘Hanuman’ and ‘Charlie Chaplin’. It was a children day in a way when they enjoyed a host of amusement activities, including joy rides in toy jeep, train, car, motorbikes and swings in the merry-go-round.
                             There was an unprecedented rush of ‘Rangoli’ enthusiasts at Rangoli exihibition here, where ‘Rangoli’ artists had created winsome images of some feathered friends, children playing in the park, women culling tea leaves, shepherd tending herds, et al. Designer furniture stalls did brisk business while ceramic crockery item and dried flower petal stalls, artificial jewellery stalls, handicraft and handloom item stalls, too, were in demand. Foodies had a date with the lip-smacking fare of regional flavours from North and North-East states, including Bihar, Nagaland, Hyderabad, Rajashtan, Uttar Pradesh (UP), Karnataka, Punjab, and Goa et al.
                             The evening segment had a power-packed performance presented by  Mizocardinal Choir Group from Mizoram, which was highly appreciated by the audience, followed by a fusion of Classical Dance (Kathak) presented by Pandit Sandeep Mahavir and troupe from Mumbai on the second day today on the persistent demand of the public. It was now an evening soaked in pulsating folk music from Punjab, where renowned singer Satwinder Bugga, enthralled the audience for an hour or so. The songs he doled out were ‘Vichhran, vichhran kardi ein...’, ‘Tuttan wali thandi thandi chhan...’, Chhalle naal jugni attach ho gayi...’Rub de samaan sanu kehn waliye...’.
                   On the last day of the 10-day Mela, Bhangra king Daler Mahandi will entertain the music lovers, where he will rustle out his hit foot-tapping numbers, one after the other, from 6pm, onwards.


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