Chandigarh,
11th November, 2016: The Government Museum and Art
Gallery, Chandigarh is going to organize an exhibition of paintings by Olivia
Fraser at the Government Museum and Art Gallery, Chandigarh in collaboration
with Chandigarh Lalit Kala Academi which will continue till 30th
November 2016. The inauguration of the exhibition will be held on Wednesday, 16th
November 2016 and will be inaugurated by Prof. B.N. Goswamy, Prof. Emeritus,
Punjab University.
Fraser, who was born
in London and raised in the Highlands of Scotland, has lived and worked in
India since 1989. Deeply interested in the techniques and vocabulary of
traditional Indian miniatures, she combines mineral and plant pigments and
handmade paper with forms and ideas inspired by modern Western art.
Following in the
footsteps of her kinsman, James Baillie Fraser who painted India, its monuments
and landscape in the early 1800’s, Olivia set out to continue where her kinsman
had left off, painting the architecture of Delhi and its people. James Baillie
Fraser also commissioned local artists to paint what has become the famous
‘Fraser Album’ – the greatest masterpiece of Company School Painting portraying
the different types of people and their jobs, crafts or castes against stark
white backgrounds. This hybrid form of painting where Indian artists created
works with mixed techniques and ideas from the East and West greatly influenced
Olivia’s early work during the 1990s.
In 2005 she decided
to study the traditional Indian miniature painting techniques under Jaipuri and
Delhi masters, and now uses this in her work with its gem-like stone colours,
its unique miniature brush work, and its elaborate decorative and burnished
surfaces. Having been especially influenced by Nathdwarapichwai painting and
early C19th Jodpuri painting, Olivia has been exploring its visual language,
reaching back to an archetypal iconography strongly rooted in India's artistic
and cultural heritage that can breach borders and be relevant to her twin life
between East and West.
Her latest body of
works is deeply rooted in her fascination with and practice of yoga and the
ways in which yogic meditation involves visualizations of the garden,
particularly the sahasrara or thousand-petaled lotus, which serves as a visual
aid in reaching enlightenment. “The garden, an enclosed and cultivated area of
landscape that’s formalized and acted upon, is fundamental to my work,” she
says. “I take the vocabulary of landscape—trees, flowers, rivers, mountains and
sky—and I deconstruct and reduce them to their essence.”
As well as her new
works, the exhibition will offer a rare chance to see some of Fraser earlier
works including ‘Golden Lotus’
(2008), ‘Shiva’ (2009), and ‘Krishna’s Garden’, (2008).
Olivia’s paintings
have been shown in various galleries and art fairs around the world. They have
also been included in well-known collections in India, UK, France, Belgium
(Museum of Sacred Art), UAE, Singapore, Australia, China (China Arts Museum)
and the USA. Glen Lowry, Director of MOMA has been an avid supporter and
collector of her works since the very beginning. Olivia’s works were shown at
the Venice Biennale in 2015.
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