Chandigarh, 8th August,
2017: The Government Museum and Art Gallery,
Chandigarh has been awarded a Getty Foundation grant of US Dollar 150,000/- for the
preparation of a Conservation Management Plan for the future management
framework. The Getty Foundation fulfils the philanthropic mission of the J. Paul Getty Trust by supporting
individuals and institutions committed to advancing the greater understanding
and preservation of the visual arts in Los Angeles and throughout the world.
Through strategic grant initiatives, the Foundation strengthens art history as
a global discipline, promotes the interdisciplinary practice of conservation,
increases access to museum and archival collections, and develops current and
future leaders in the visual arts.
The
Government Museum and Art Gallery, Chandigarh is one of twelve significant 20th century buildings to receive a
grant this year as part of the
Getty Foundation’s Keeping It Modern initiative. Since its inception in 2014, Keeping It
Modern has supported 45 international conservation projects in 22 countries
that collectively point to the importance of research and planning for the
preservation of modern architectural heritage.
The
twelve projects selected to receive funding this year represent the work of
innovative architects who pushed the boundaries of design and construction
materials, including the Bauhaus Building in Dessau,
Germany (architect: Walter Gropius); Boston City Hall, Boston, Massachusetts
(architects: Kallmann, McKinnell, & Knowles); Yoyogi National Gymnasium,
Tokyo, Japan (architect: Kenzo Tange); Government Museum and Art Gallery, Chandigarh, India (architect: Le
Corbusier); and Stadio Flaminio, Rome, Italy
(architect: Pier Luigi Nervi).
All
of the new grants will support conservation planning and research, as
successful interventions require the thorough assessment of current building
conditions. The results will provide models for the protection of modern
architecture for future generations.
The
Government Museum and Art Gallery in Chandigarh is a pivotal work by Le
Corbusier, representing the culmination of the concept he developed with Pierre
Jeanneret of a museum of the future. Their 1931 idea for a “Museum of Unlimited
Growth” employed the design principle of a nautilus, radiating outward from the
center to create a sense of unrestricted expansion. Le Corbusier also realized
this idea at the Sanskar Kendra in Ahmedabad and the National Museum of Western
Art in Tokyo. Le Corbusier’s use of exposed reinforced concrete and brick
cladding for the museum’s facade symbolized the emergence of novel building
typologies and the “arrival of the modern” in India as a newly independent
nation.
The
selection of the Government Museum and Art Gallery for this prestigious grant
has been achieved through a year-long grant application process realized with
the teamwork put in by Ms Kriti Garg, IAS, Director, Government Museum and Art
Gallery, Prof Manoj Arora, Director PEC University of Technology, Prof.
Sangeeta Bagga, Chandigarh College of Architecture and Ms. Seema Gera, Deputy
Curator Museum. The PEC University of Technology is the lead financial partner
of the museum for this grant and would appoint experts for the preparation of the management plan.
Conservation
of modern structures is a fairly recent phenomenon in India and in a nascent
stage. Considering the limited lifespan of
exposed concrete,
preliminary studies show sections of the museum which reveal material
deterioration. It is intended that this conservation planning
along with onsite tests and lab analysis
will address conservation issues that will subsequently guide implementation of conservation projects in the long
term. To enhance the impact of the project, the team will strengthen local
capacity through workshops and museum training and build international
connections by convening representatives from the other two similar museums in
Ahmedabad and Tokyo. Thus the conservation
planning
of the Museum and Art Gallery at this juncture would serve as a pilot project
and role model for the large scale exposed concrete ensembles to be conserved
in the city and the country.
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